SHOWTIME 25 Oct 2014

Gone Girl
12:00
14:45
17:30
20:15
Director: David Fincher
Runtime: 149 min
Language: English with Thai subtitle
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Gone Girl
12:00
14:45
17:30
20:15
Director: David Fincher
Runtime: 149 min
Language: English with Thai subtitle
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
God Help The Girl
14:00
20:30
Director: Stuart Murdoch
Runtime: 111 min
Language: English with Thai subtitle
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God Help The Girl
14:00
20:30
Director: Stuart Murdoch
Runtime: 111 min
Language: English with Thai subtitle
As Eve begins writing songs as a way to sort through some emotional problems, she meets James and Cassie, two musicians each at crossroads of their own.
The Homesman
18:15
Director: Tommy Lee Jones
Runtime: 122 min
Language: English with Thai subtitle
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The Homesman
18:15
Director: Tommy Lee Jones
Runtime: 122 min
Language: English with Thai subtitle
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy (Hilary Swank). Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs (Tommy Lee Jones), to join her. The unlikely pair and the three women (Grace Gummer, Miranda Otto, Sonja Richter) head east, where a waiting minister and his wife (Meryl Streep) have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
Concrete Clouds ภวังค์รัก
16:15
Director: Lee Chatametikool
Runtime: 99 min
Language: Thai with English subtitle
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Concrete Clouds ภวังค์รัก
16:15
Director: Lee Chatametikool
Runtime: 99 min
Language: Thai with English subtitle
Father jumps off roof. Economy caves in. Childhood sweetheart remains out of reach. Nice girl next door slides into prostitution. Elder brother knows better. Younger brother has no idea. Only a very special filmmaker could turn that into something light-footed and moving. As an editor, Lee Chatametikool has acquired the reputation of being a kind of doctor, the way you also have script doctors: someone who can get good stories that have foundered back on track and who doesn’t just heal but also improves. He has also released those magic healing powers in his feature debut as a director. A widely branching and layered story acquires an almost lighthearted form. Two time periods are flexibly interwoven. The film focuses on two brothers in Bangkok in 1997, the year when the Asian economy collapsed. But the childhood and school years of the brothers are just as important for the mood of the story. The filmmaker evokes the mood cleverly by reconstructing complete television and music shows from the period with his actors in the leading roles. The elder brother returns from New York to Bangkok after the father has committed suicide because of the crisis. He has to clear up the financial situation in the family company and look after his younger brother. Both brothers cherished a puppy love and this evokes yet other crises. This unusual and complex debut probably can’t be described as autobiographical, but Chatametikool did introduce his personal experiences as well: just like his protagonist, he moved between two cultures: America and Thailand.

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